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Post-Colonial Loves

André Amálio

This documentary theatre performance aims to reflect on love as a political and utopian space discussing what it meant to love in the colonial and postcolonial space. This performance was devised from interviews of people that lived colonial times, but also the new generations that were born after the end of the Portuguese colonial Empire that are still conditioned by the colonial frame and thought. Post-Colonial

Loves questions the politics of love in the colonial space and portrays the different ways how the violence of colonialism could act upon the past and present relationships. For this performance we
collected testimonies of former Portuguese soldiers who have children with black African women in wartime, white Portuguese women who have fallen in love with black Africans belonging to the Liberation movements, and also the children of these relationships. With this performance, the theatre company Hotel Europa begins a new chapter in its investigation on colonialism, scrutinizing the love during the Colonial and Post-Colonial period.

Created by André Amálio and Tereza Havlíčkova
Movement Tereza Havlíčková
With André Amálio, Julio Mesquita, Laurinda Chiungue, Pedro Salvador, Romi Anauel and Tereza Havlíčkova
Music Pedro Salvador and Romi Anauel
Set Design  Pedro Silva and Hugo Migata
Light design and technical direction Carlos Arroja

With collaboration Selma Uamusse and Toni Fortuna
Executive Production Joana Costa Santos
Production Hotel Europa
Co-production TNDMII
Residency Materiais Diversos, DeVIR/CaPA, LARGO Residências

Support DGARTES/MC
Acknowledgment Bruno Huca, Sufaida Moyane and all the people interviewed

ABOUT HOTEL EUROPA 

Hotel Europa was cofounded by André Amálio (Portugal) and Tereza Havlíčková (Czech Republic), after meeting at the MA in Performance Making at Goldsmiths University in London. The company develops performance work exploring the boundaries between dance, performance art and theatre in a process of collaboration. Their creations are based in autobiographical material, verbatim, family stories, and national stories, mythologies and folk tales. A complex web of references, both popular and classical, is created, ultimately producing performances that allow the audience to travel across cultures, ages and genders and build their own meaning and narrative. 

Hotel Europa’s body of work includes: Hotel Europa (2010), AmálioVsAmália (2011), TV Heroes (2012), Faith (2013), KinoWaltz (2014), Portugal is not a Small Country (2015), Pass-Port (2016) and Liberation (2017). Its work has been presented in Portugal, Czech Republic, and the UK. 

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