Vânia Doutel Vaz is a Portuguese-born Angolan dancer and choreographer. As a freelance artist she has worked with several artists and choreographers and has been a member of many dance and theater companies, both national and internationally. With this work, Vânia Doutel Vaz proves, once again, that she is a remarkably talented artist, with a very singular and incisive approach to contemporary dance.
- O ESPAÇO DO TEMPO
The expression “there is an elephant in the room” suggests an idea that in the presence of something evident, that element can be ignored. Elephants that I carry, elephants brought by the audience and even those that arise in a relationship between observers observed. So what is it here that we dare not say or which we are unable to deal with? And between so many people here, with this fragmented and plural elephant, how many possibilities could come?
See, feel, ignore, deviate and then see something else, touch something else, dance around distinct subjects, and then generate right now attention and practice towards alternatives. What could be there is questioned and made possible. Multiplicity in oscillation, possibilities in resilience. Every person or science, every experiment or theory will try to define what is here or what will come. Even so and because of this, so much will escape.
These are the questions that pulsate in THE ELEPHANT IN THE ROOM and with which elephants inhabit and dialogue.
BIO & CREDITS
VÂNIA DOUTEL VAZ is a Portuguese-born Angolan dancer and choreographer. Vaz studied dance at the Royal Dance Academy, Escola de Dança do Conservatório Nacional, and Forum Dança. She was a member of Companhia Portuguesa de Bailado Contemporâneo, Nederlands Dans Theater, Cedar Lake Contemporary Ballet (CLCB), and PUNCHDRUNK.
As a freelance artist, Vaz has collaborated with: Trajal Harrell, in Maggie the Cat at the Manchester International Festival, Medea at the Onassis Foundation, Séance de Travail at Schauspielhaus Bochum (2019), and Friend of a Friend, a livestream event at Fondation Cartier pour l’arte contemporain (2021); Eszter Salamon, in Still Dance For Nothing for the Alkantara Festival (2020); Uri Aran, in Multicolored Blue at Sant’Andrea de Scaphis, Rome, for Gavin Brown’s Enterprise (2015); Tânia Carvalho, as an original cast member in Onironauta (2020) and in the touring cast of Icosahedron and 27 Ossos (2018); among others. She also created ad aeternum – a video-performance commissioned by Teatro do Bairro Alto (2020), Bureauc’Art – a gallery performance at CunstLink (2019), and THEIR – a laboratory piece for the CLCB (2015).
Concept, creation and performance: Vânia Doutel Vaz
Dramaturgy: Josefa Pereira
Light Design: Leticia Skrycky
Technical Direction and Light Operation: Ana Carocinho
Sound: Tiago Cerqueira
Costumes: Nina Botkay
Stage Space: Leticia Skrycky in collaboration with Nina Botkay
Residency collaborators: Adriana João, Artur Pispalhas, Josefa Pereira, Luara Learth, Piny, Nina Botkay
Vocal support: Isabél Zuaa
Photos: Patrícia Black
Production: Alkantara
Coproduction: Teatro do Bairro Alto, Teatro Municipal do Porto / DDD – Festival Dias da Dança, A Oficina / Centro Cultural Vila Flor
Artistic Residencies: Alkantara, Casa da Dança, Estúdios Victor Córdon/OPART
Coproduction Residencies: O Espaço do Tempo
Translation and subtitles: Patrícia Pimentel
Thanks: Rui Horta, Maggie Segale, Ana Trincão, Giovanni Lourenço